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	<description>Confédération internationale des cinémas d&#039;art et d&#039;essai</description>
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		<title>29. FESTROIA: BABY BLUES von KASIA ROSLANIEC mit ART CINEMA AWARD AUSGEZEICHNET!</title>
		<link>http://cicae.org/de/non-classe/festroia-2013-art-cinema-award-pour-baby-blues-de-kasia-roslaniec</link>
		<comments>http://cicae.org/de/non-classe/festroia-2013-art-cinema-award-pour-baby-blues-de-kasia-roslaniec#comments</comments>
		<pubDate>Mon, 17 Jun 2013 18:23:38 +0000</pubDate>
		<dc:creator>cicae</dc:creator>
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		<guid isPermaLink="false">http://cicae.org/?p=2733</guid>
		<description><![CDATA[Der Internationaler Verband der Filmkunsttheater CICAE freut sich Ihnen mittzuteilen, dass der Film BABY BLUES von KASIA ROSLANIEC mit dem CICAE ART CINEMA AWARD beim 29. INTERNATIONAL FILMFESTIVAL FESTROIA Setúbal, Portugal (7. – 16. Juni 2013, www.festroia.pt) ausgezeichnet wurde. Synopsis: Natalia wollte unbedingt ein Baby. Jetzt ist es da, und das Leben der extrovertierten 17-jährigen [...]]]></description>
			<content:encoded><![CDATA[<p lang="fr-FR"><span style="font-family: Arial, sans-serif;"><span style="font-size: medium;">Der Internationaler Verband der Filmkunsttheater CICAE freut sich Ihnen mittzuteilen, dass der Film <strong>BABY BLUES</strong> von <strong>KASIA ROSLANIEC</strong> mit dem <strong>CICAE ART CINEMA AWARD</strong> beim 29. <strong>INTERNATIONAL FILMFESTIVAL FESTROIA</strong> Setúbal, Portugal (7. – 16. Juni 2013, <a href="http://www.festroia.pt/">www.festroia.pt</a>) ausgezeichnet wurde.</span></span></p>
<p><span style="font-family: Arial, sans-serif;"><span style="font-size: medium;"><strong>Synopsis:</strong></span></span></p>
<p align="JUSTIFY"><span style="font-family: Arial, sans-serif;"><span style="font-size: medium;"><span style="color: #262626;">Natalia wollte unbedingt ein Baby. Jetzt ist es da, und das Leben der extrovertierten 17-j</span><span style="color: #262626;">ährigen ist ein einziger Kampf. Sie fühlt sich von ihrer ebenfalls noch sehr jungen Mutter abgelehnt und klammert sich verzweifelt an ihr Kind, zu dem sie eigentlich noch keine rechte Bindung hat. Ihr unbekümmerter Skater-Freund Kuba versucht sich zwar mit seiner Vaterschaft anzufreunden, nutzt ihre kleine Wohnung aber für Partys mit seiner Kifferclique. Natalia selbst gibt ihr weniges zusammengeborgtes Geld für abenteuerliche Outfits aus. Um ihren Traumjob als Verkäuferin in einem stylischen Modeshop zu ergattern, lässt sie sich auf den jungen Chef ein, der seine Position auszunutzen weiß. Natalias Welt gerät immer stärker aus den Fugen. </span></span></span></p>
<p align="LEFT"><span style="color: #262626;"><span style="font-family: Arial, sans-serif;"><span style="font-size: medium;"><strong>Begründung der CICAE-Jury :</strong></span></span></span></p>
<p align="JUSTIFY"><span style="color: #262626;">„<span style="font-family: Arial, sans-serif;"><span style="font-size: medium;">BABY BLUES ist eine farbenreiche und stereotypfreie, auf energievolle und moderne Weise erzählte Geschichte über Jugendliche, die bereits Eltern sind – einen hypnotischen cineastischen Blick mit bemerkenswerten schauspielerischen Leistungen von Teenagern kombinierend. Kasia Roslaniec`Werk, das komplexe Probleme ohne zu moralisieren zeigt und eine neue filmische Herangehensweise anbietet, hat das Potenzial junges und älteres Publikum von Programmkinos zu begeistern.“</span></span></span></p>
<p><span style="font-family: Arial, sans-serif;"><span style="font-size: medium;"><strong>Ü</strong><strong>ber den </strong><strong>film :</strong></span></span></p>
<p><span style="font-family: Arial, sans-serif;"><span style="font-size: medium;"><strong>BABY BLUES</strong></span></span></p>
<p><span style="font-family: Arial, sans-serif;"><span style="font-size: medium;">Polen 2012</span></span></p>
<p><span style="font-family: Arial, sans-serif;"><span style="font-size: medium;">105 min</span></span></p>
<p><span style="font-family: Arial, sans-serif;"><span style="font-size: medium;"><strong>Regisseurin</strong><strong> : </strong>Kasia Rosłaniec</span></span></p>
<p><span style="font-family: Arial, sans-serif;"><span style="font-size: medium;"><strong>Cast : </strong>Magdalena Berus, Klaudia Bułka, Nikodem Rozbicki, Michał Trzeciakowski, Mikołaj Łubek, Dominik Łubek</span></span></p>
<p><span style="font-family: Arial, sans-serif;"><span style="font-size: medium;"><strong>Produzent :</strong></span></span></p>
<p><span style="font-family: Arial, sans-serif;"><span style="font-size: medium;">Mental Disorder 4 (MD4) ul. Narbutta 25A, 02-536 Warsaw, Poland E-mail: zentropa@zentropa.pl</span></span></p>
<p><span style="font-family: Arial, sans-serif;"><span style="font-size: medium;">Koproduzent: Zentropa International Poland</span></span></p>
<p><span style="font-family: Arial, sans-serif;"><span style="font-size: medium;"><strong>World sales : </strong>Mental Disorder 4 (MD4)</span></span></p>
<p><span style="font-family: Arial;"><span style="font-size: x-small;"><span style="font-family: Arial, sans-serif;"><span style="font-size: medium;"><strong>TRAILER : </strong></span></span><a href="http://vimeo.com/62819570"><span style="font-family: Arial, sans-serif;"><span style="font-size: medium;">http://vimeo.com/62819570</span></span></a></span></span></p>
<p align="JUSTIFY"><span style="font-family: Arial, sans-serif;"><span style="font-size: medium;"><span style="color: #000000;">Die CICAE </span><span style="color: #000000;">zeichnet Spielfilm</span><span style="color: #000000;">e</span><span style="color: #000000;">bei den wichtigsten Filmfestivals Europas</span><span style="color: #000000;"> aus. Der ausgezeichnete Film erh</span><span style="color: #000000;">ält die Unterstützung des Internationalen Verband</span><span style="color: #000000;">e</span><span style="color: #000000;">s der Filmkunsttheater CICAE </span><span style="color: #000000;">durch Informationsmaßnahmen bei s</span><span style="color: #000000;">eine</span><span style="color: #000000;">m</span><span style="color: #000000;">internationalen </span><span style="color: #000000;">Netzwerk. </span></span></span></p>
<p align="JUSTIFY"><strong><span style="font-family: Arial, sans-serif;">Mitglieder der CICAE-Jury beim 29. Festroia waren Gertraud Eiter, Otto Preminger-Institut (Leokino / Cinematograph, Österreich, Odeta Karoblyte, Vilnius International Film Festival (Kino pavasaris, Litauen), Aleš Ogorevc (Gewinner des CICAE „best visual cinema “ Wettbewerbs, Slowenien)</span></strong></p>
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		<title>Directors&#8217; Fortnight 2013: &#8220;Me Myself and Mum&#8221; von Guillaume Gallienne gewinnt CICAE AWARD!</title>
		<link>http://cicae.org/de/non-classe/quinzaine-des-realisateurs-2013-les-garcons-et-guillaume-a-table-de-guillaume-gallienne-remporte-le-prix-du-jury-cicae</link>
		<comments>http://cicae.org/de/non-classe/quinzaine-des-realisateurs-2013-les-garcons-et-guillaume-a-table-de-guillaume-gallienne-remporte-le-prix-du-jury-cicae#comments</comments>
		<pubDate>Mon, 27 May 2013 09:19:57 +0000</pubDate>
		<dc:creator>cicae</dc:creator>
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		<description><![CDATA[The members of the CICAE jury awarded Guillaume Gallienne’s Me Myself and Mum as best feature-length film of the Directors&#8217; Fortnight 2013 Members of the jury were : Ula Sniegowska (New Horizons Association, Pologne),  Anne-Juliette Jolivet (Cinéma Les 400 COUPS, Angers, France) and Thorsten Kleinschmidt (ZOOM Kino, Allemagne). Me Myself and Mum Guillaume Gallienne First film 1h25 Sales Agent: Gaumont SYNPOSIS:  How [...]]]></description>
			<content:encoded><![CDATA[<p>The members of the CICAE jury awarded <strong>Guillaume Gallienne’s <em>Me Myself and Mum</em></strong> as best feature-length film of the Directors&#8217; Fortnight 2013</p>
<p>Members of the jury were : Ula Sniegowska (New Horizons Association, Pologne),  Anne-Juliette Jolivet (Cinéma Les 400 COUPS, Angers, France) and Thorsten Kleinschmidt (ZOOM Kino, Allemagne).</p>
<p><strong>Me Myself and Mum</strong></p>
<p>Guillaume Gallienne</p>
<p>First film</p>
<p>1h25</p>
<p>Sales Agent: Gaumont</p>
<p><strong>SYNPOSIS: </strong></p>
<p><em>How to become a man when your mother and your closed circle have simply decided it will be another way ? This is the challenge Guillaume took up. Beyond an heterosexual coming out, the movie tells the story of an actor who from «bourgeoisie» to the stage has never stopped to love women, maybe too much…</em></p>
<p><a href="http://cicae.org/wp-content/uploads/2013/05/220px-Guillaume_Gallienne_20121.jpg"><img class="aligncenter" title="220px-Guillaume_Gallienne_2012" src="http://cicae.org/wp-content/uploads/2013/05/220px-Guillaume_Gallienne_20121.jpg" alt="" width="220" height="311" /></a></p>
<p style="text-align: center;"><em>Director Guillaume Gallienne</em></p>
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		<title>CANNES 2013: VOLLER SAAL ZUR  MITGLIEDERVERSAMMLUNG UND DEBATTE DER CICAE</title>
		<link>http://cicae.org/de/non-classe/cannes-2013-salle-pleine-pour-lassemblee-generale-de-la-cicae-et-la-presentation-de-la-10eme-formation-%e2%80%9eart-cinema-action-management</link>
		<comments>http://cicae.org/de/non-classe/cannes-2013-salle-pleine-pour-lassemblee-generale-de-la-cicae-et-la-presentation-de-la-10eme-formation-%e2%80%9eart-cinema-action-management#comments</comments>
		<pubDate>Thu, 23 May 2013 10:33:32 +0000</pubDate>
		<dc:creator>cicae</dc:creator>
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		<guid isPermaLink="false">http://cicae.org/?p=2637</guid>
		<description><![CDATA[Während der 66. Internationalen Filmfestspiele fand die Mitgliederversammlung des Internationalen Verbandes der Filmkunsttheater (CICAE) im Grand Hotel von Cannes statt. Geleitet wurde die Sitzung durch den wieder gewählten Präsidenten der CICAE, Dr. Detlef Rossmann. Auch der Vorsitzende der AG Kino – Gilde e.V.,  Dr. Christian Bräuer, wurde als Mitglied des Verwaltungsrates bestätigt. Der Präsident der CICAE [...]]]></description>
			<content:encoded><![CDATA[<p align="JUSTIFY"><span style="font-family: Arial, sans-serif;"><span style="font-size: small;">Während der 66. Internationalen Filmfestspiele fand die <strong>Mitgliederversammlung des Internationalen Verbandes der Filmkunsttheater (CICAE)</strong> im Grand Hotel von Cannes statt. Geleitet wurde die Sitzung durch den wieder gewählten Präsidenten der CICAE,<strong> Dr. Detlef Rossmann</strong>. Auch der Vorsitzende der AG Kino – Gilde e.V.,  Dr. Christian Bräuer, wurde als Mitglied des Verwaltungsrates bestätigt.</span></span></p>
<p align="JUSTIFY"><img class="aligncenter" title="DetlefRossmann" src="http://cicae.org/wp-content/uploads/2013/05/DetlefRossmann1-200x300.jpg" alt="" width="200" height="300" /></p>
<p style="text-align: center;" align="JUSTIFY"><em>Der Präsident der CICAE Dr. Detlef Rossmann beim 66. Filmfestival von Cannes</em></p>
<p align="JUSTIFY"><span style="font-family: Arial, sans-serif;">Unter der Leitung von <strong>Prof. Laurent Creton</strong> vom K<span style="font-family: Arial, sans-serif;"><span style="font-family: Arial, sans-serif;">ino- und Medienforschungsinstitut (IRCAV) der Universität Sorbonne Nouvelle in Paris schloss sich eine ausführliche <strong>Debatte an zum Thema „Kino ohne Fenster?</strong>“. In der Fachdiskussion wurde deutlich, dass unverändert auch im digitalen Zeitalter die Auswertungsfenster einen unverzichtbaren Beitrag zu einer gelebten Kino- und Programmvielfalt und zur Verbreitung des europäischen Arthousefilms leisten.</span></span></span></p>
<p align="JUSTIFY"><span style="font-family: Arial, sans-serif;"><span style="font-size: small;">In Rahmen der in angenehmer Stimmung geführten Gespräche beschlossen die aus ganz Europa, Lateinamerika und Afrika angereisten Mitglieder eine Initiative zur Gründung einer <strong>„Kinoallianz“ gemeinsam mit der „UNIC“ und mit „Europa Cinemas“. </strong><span style="font-family: Arial, sans-serif;">Ziel dieser Initiative soll die Vermittlung gemeinsamer Kinointeressen bei Fragen der Auswertungsfenster und bei den Verhandlungen für ein transatlantisches Freihandels-abkommen sein.</span></span></span></p>
<p align="JUSTIFY"><span style="font-family: Arial, sans-serif;"><span style="font-size: small;">Die Vertreter des Verbandes, der 3.000 Filmtheatersäle und Filmfestivals aus über 30 Ländern vereint, bekräftigten erneut ihr Engagement für die kulturelle Vielfalt und für den Erhalt des Kino-Erlebnisses für das europäische und weltweite Publikum.</span></span></p>
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		<title>&#8220;Keep Smiling&#8221; von Rusudan Chkonia gewinnt CICAE-Preis in Vilnius!</title>
		<link>http://cicae.org/de/non-classe/art-cinema-award-pour-keep-smiling-a-vilnius</link>
		<comments>http://cicae.org/de/non-classe/art-cinema-award-pour-keep-smiling-a-vilnius#comments</comments>
		<pubDate>Wed, 03 Apr 2013 09:56:46 +0000</pubDate>
		<dc:creator>cicae</dc:creator>
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		<description><![CDATA[Georgia again!  RUSUDAN CHKONIA&#8217;s &#8220;KEEP SMILING&#8221; won CICAE ART CINEMA AWARD within the framework of the 18th Vilnius International Film Festival last Monday &#8211; just one month and a half after Simon Groß et Nana Ekvtimishvili&#8217;s victory in Berlin! Cicae international jury was composed of German theater, cinema and television actress Elke Bludau, Austrian descent film programme curator, cinema journalist and [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Georgia again! </strong></p>
<p><strong>RUSUDAN CHKONIA&#8217;</strong>s &#8220;<strong>KEEP SMILING</strong>&#8221; won <strong>CICAE ART CINEMA AWARD</strong> within the framework of the 18th Vilnius International Film Festival last Monday &#8211; just one month and a half after Simon Groß et Nana Ekvtimishvili&#8217;s victory in Berlin!</p>
<p>Cicae international jury was composed of German theater, cinema and television actress Elke Bludau, Austrian descent film programme curator, cinema journalist and editor Evelin Stark and cinema theater “Pasaka” director Justas Prascevicius.</p>
<p><a href="http://cicae.org/wp-content/uploads/2013/04/c30571f135c67ad43622fc75298886d1.jpg"><img class="aligncenter" title="c30571f135c67ad43622fc75298886d1" src="http://cicae.org/wp-content/uploads/2013/04/c30571f135c67ad43622fc75298886d1-199x300.jpg" alt="" width="199" height="300" /></a></p>
<p style="text-align: center;"><em>Keep Smiling&#8217;s Film actress <strong>Olga Babluani</strong>  with the Cicae Art Cinema Award in Vilnius</em></p>
<p style="text-align: center;"><em>Photo: Audrius Solominas, Vilija Buivyde</em></p>
<p><strong>SYNOPSIS of  &#8221;KEEP SMILING&#8221;</strong></p>
<div id="description">
<p>(Gaigimet)</p>
<p>A heartfelt tragicomedy about 10 women and their fierce rivalry to win a beauty contest for mothers who have borne several children. Competing in five categories, including Best Cook and Super Mother, the prize they’re desperate to win is an apartment and $25,000. The contestants, charming and ambitious, start out with high hopes and great expectations. Their dreams, however, are soon shattered when they realise that the whole thing is a charade. The participants become pawns for the media and contest organizers who shamelessly exploit their underprivileged circumstances for entertainment value. In this ludicrous microcosmos the women not only have to deal with each other, their families and the society they live in, but they also must confront themselves in order to preserve their self-respect and dignity.</p>
<p lang="fr-FR"> <strong>watch <a href="http://cineuropa.org/vd.aspx?t=video&amp;l=en&amp;rdID=223775">trailer</a></strong></p>
<p lang="fr-FR"><strong>ABOUT THE FILM:</strong></p>
<table width="583" border="1" frame="BELOW" rules="ROWS" cellspacing="0" cellpadding="7">
<col width="281" />
<col width="274" /></p>
<tbody>
<tr valign="TOP">
<td width="281">original title:</td>
<td width="274">Keep Smiling</td>
</tr>
<tr valign="TOP">
<td width="281">country:</td>
<td width="274">France, Georgia, Luxembourg</td>
</tr>
<tr valign="TOP">
<td bgcolor="#fef1e6" width="281">sales agent:</td>
<td bgcolor="#fef1e6" width="274">Doc &amp; Film International</td>
</tr>
<tr valign="TOP">
<td width="281">year:</td>
<td width="274">2012</td>
</tr>
<tr valign="TOP">
<td width="281">genre:</td>
<td width="274">fiction</td>
</tr>
<tr valign="TOP">
<td width="281">directed by:</td>
<td width="274">Rusudan Chkonia</td>
</tr>
<tr valign="TOP">
<td width="281">film run:</td>
<td width="274">90&#8242;</td>
</tr>
<tr valign="TOP">
<td width="281">screenplay:</td>
<td width="274">Rusudan Chkonia</td>
</tr>
<tr valign="TOP">
<td width="281">cast:</td>
<td width="274">Ia Sukhitashvili, Gia Roinishvili, Olga Babluani</td>
</tr>
<tr valign="TOP">
<td width="281">cinematography by:</td>
<td width="274">Konsantine Esadze</td>
</tr>
<tr valign="TOP">
<td width="281">film editing:</td>
<td width="274">Jean-Pierre Bloc, Rusudan Chkonia, Levan Kukhasvili</td>
</tr>
<tr valign="TOP">
<td width="281">art director:</td>
<td width="274">Sopo Bazgadze</td>
</tr>
<tr valign="TOP">
<td width="281">costumes designer:</td>
<td width="274">Giorgi Nadiradze</td>
</tr>
<tr valign="TOP">
<td width="281">producer:</td>
<td width="274">Rusudan Chkonia, M. Nicolas Blanc</td>
</tr>
<tr valign="TOP">
<td width="281">co-producer:</td>
<td width="274">Marc Bordure, Jani Thiltges, Arnaud Bertrand, Dominique Boutonnat, Hubert Caillard</td>
</tr>
<tr valign="TOP">
<td width="281">production:</td>
<td width="274">Ex Nihilo</td>
</tr>
</tbody>
</table>
</div>
<div>
<h5>DIRECTOR&#8217;S STATEMENT:</h5>
<p>I always find it interesting to observe how people behave in extreme situations – when they have to do things they would never have imagined doing normally. Some years ago, when I was shooting a documentary about homeless children, I visited a shelter called Bediani. It was a shelter for families who, due to difficult social conditions, found themselves out on the street. In Bediani, I met Tamar, a very intelligent, beautiful mother of seven, who told me about her struggle for survival in Tbilisi and how she even took part in a beauty contest for mothers to win a cash prize. This beauty contest was a deeply humiliating and disappointing experience for her. It was a tragic painful story, yet at times so absurd that I could hardly refrain from laughing. That’s how I decided to make this film. I also want to mention that all the stories and characters in the film are invented, with no resemblance to Tamar.</p>
</div>
<div>
<h5>ABOUT DIRECTOR:</h5>
<p>Rusudan Chkonia (b. 1978 in Tbilisi, Georgia)</p>
<p>&#8220;Children without a Name&#8221; (2001, graduation film), &#8220;Bediani &#8211; Lucky Village&#8221; (2001, doc), &#8220;Spring&#8221; (2005, doc), &#8220;Land of Promise&#8221; (2002, doc), &#8220;This is Life&#8221; (2007, short), &#8220;Keep Smiling&#8221; (2012, &#8220;Kino pavasaris&#8221;).</p>
<p><strong>See the whole</strong> <a href="http://www.kinopavasaris.lt/en/news_article?id=1364567265" target="_blank">palmares</a> of the 18th Vilnius International Film Festival</p>
<p>used sources :<em> kinopavasaris.lt</em> and <em>cineuropa.org</em></p>
</div>
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		<title>CINÉLATINO 2013, Sektion Films in Progress  : &#8220;CLIMAS&#8221; VON ENRICA PÉREZ MIT DEM CICAE/EUROPA DISTRIBUTION-PREIS AUSGEZEICHNET!</title>
		<link>http://cicae.org/de/non-classe/cinelatino-2013-climas-de-enrica-perez-remporte-le-prix-cicaeeuropa-distribution-section-cinema-en-construction</link>
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		<pubDate>Thu, 28 Mar 2013 19:16:30 +0000</pubDate>
		<dc:creator>cicae</dc:creator>
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		<description><![CDATA[Enrica Pérez&#8217;s portrait  of three Peruvian women really moved the jury of european exhibitors and distributors at Cinélatino 2013 and became an award in the Cinema under Construction section. Member of the jury for the CICAE was Domenico Dinoia (Progetto Lumiere, Italie). Climas tells the story of &#8220;three women from different ages and social backgrounds living in three [...]]]></description>
			<content:encoded><![CDATA[<p lang="fr-FR">Enrica Pérez&#8217;s portrait  of three Peruvian women really moved the jury of european exhibitors and distributors at Cinélatino 2013 and became an award in the Cinema under Construction section. Member of the jury for the CICAE was Domenico Dinoia (Progetto Lumiere, Italie).</p>
<p lang="fr-FR"><em>Climas</em> tells the story of &#8220;<em>three women from different ages and social backgrounds living in three different regions of Peru. Eva is a girl awakening to her sexuality, surrounded by the tropical climate of Amazonia. Victoria is a wealthy woman from Lima bearing a tragic secret which makes her life dull and cold like the city she lives in. Zoraida is an elderly woman from the Andean community welcoming her son after a very long absence. Three regions, three women, three stories affected by the various geographies, societies and climates of a fragmented country.</em>&#8220;</p>
<p>DIRECTOR&#8217;S BIOGRAPHY:</p>
<p>Enrica Pérez (Perú, 1976) (Peru, 1976) holds a graduated degree in Cinema from the University of Columbia in NYC. Her short film Taxista (2007) won various international prizes and, as a director, she obtained the Adrienne Shelly Award and Someone to Watch Award. In 2008, she was granted a scholarship to enter La Femis in Paris, where she directed De mon côté.</p>
<p>FILMOGRAPHY:</p>
<p>Climas &#8211; Feature &#8211; Postproduction 2008 &#8211; De mon côté &#8211; Short &#8211; Fiction 2007 &#8211; Taxista &#8211; Short &#8211; Fiction 2005 &#8211; The hitchhiking game &#8211; Short &#8211; Fiction 2000 &#8211; Bordes &#8211; Short &#8211; Fiction</p>
<p>PRODUCTION NOTES:</p>
<p>SEXTO SENTIDO PRODUCCIONES (2009) is a young company specialized in developing, financing, producing and commercializing independent films, creating international quality products capable of a potential worldwide trading. It started its cinematographic career producing Enrica Pérez’s debut feature Climas.</p>
<p>SUPPORT:</p>
<p>The project has received the following supports: PUENTES – BAL 2009 production workshop, Mannheim Meetings 2009. Project winner of the CONACINE 2010 Peruvian fund. Ibermedia production fund. Awaiting the response of the Riviera Lab, FidLab Marseille, World Cinema Fund, BAL.</p>
<p><strong>CLIMAS </strong></p>
<p>Country:  Peru,  Colombia</p>
<p>Director:  Enrica Pérez</p>
<p>Length:  80 min</p>
<p>Actors:  Claudia Ruiz, Fiorella de Ferrari, María Unocc</p>
<p>Production company:  Sexto Sentido Producciones</p>
<p>Coproducción:  Burning Blue</p>
<div>http://www.cinelatino.com</div>
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		<title>Ciné Junior 2013: Martin Clapps Magic Piano gewinnt CICAE AWARD!</title>
		<link>http://cicae.org/de/actualites/cine-junior-2013-le-piano-magique-de-martin-clapp-remporte-le-prix-de-la-cicae</link>
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		<pubDate>Thu, 28 Feb 2013 17:35:57 +0000</pubDate>
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		<description><![CDATA[The members of the CICAE jury awarded Martin Clapp&#8217;s Magic Piano as best feature-length film in the Ciné Junior 2013 international Competition (www.cinemapublic.org) Members of the jury were : Artemio Benki (Studio Bela, Prague, Czech Republic), Laurent Coët (Cinema Le Régency, St Pol sur Ternoise, France) and Jérémie Monmarché (Cinema Les Studios, Tours, France). “The Magic Piano” tells the story of [...]]]></description>
			<content:encoded><![CDATA[<p><strong>The members of the CICAE jury awarded Martin Clapp&#8217;s </strong><em><strong>Magic Piano</strong></em><strong> as best feature-length film in the </strong><em><strong>Ciné Junior 2013</strong></em><strong> international Competition (www.cinemapublic.org)</strong></p>
<p align="LEFT">Members of the jury were : Artemio Benki (Studio Bela, Prague, Czech Republic), Laurent Coët (Cinema Le Régency, St Pol sur Ternoise, France) and Jérémie Monmarché (Cinema Les Studios, Tours, France).</p>
<p align="LEFT">“The Magic Piano” tells the story of Anna, a girl whose father has had to leave Poland and look for work in London. She’s left with her auntie and annoying little cousin Chip-Chip who desperatly seeks her attention. Missing her Dad, Anna decides to run away, but Chip-Chip follows her. As she tries to hide from him in a trash heap, they find a broken piano which magically tranforms into the Flying Machine and rises into the sky with Anna and Chip-chip on board and they set off for a thrilling journey across Europe, following the wonder and passion of Chopin’s life and music on their way to London, and hoping to find Anna’s dad.</p>
<table width="583" border="0" cellspacing="0" cellpadding="7">
<col width="99" /></p>
<col width="456" />
<tbody>
<tr valign="TOP">
<td width="99"><strong>Genre</strong></td>
<td width="456">animation, 3D</td>
</tr>
<tr valign="TOP">
<td width="99"><strong>Studio</strong></td>
<td width="456">BreakThru Films</td>
</tr>
<tr valign="TOP">
<td width="99"><strong>Awards</strong></td>
<td width="456">Shortlisted for Oscar nomination 2012</td>
</tr>
<tr valign="TOP">
<td width="99"><strong>Directed By</strong></td>
<td width="456">Martin Clapp</td>
</tr>
<tr valign="TOP">
<td width="99"><strong>Written By</strong></td>
<td width="456">Geoff Lindsey, Marianela Maldonado, Robin Todd</td>
</tr>
<tr valign="TOP">
<td width="99"><strong>Produced By</strong></td>
<td width="456">Hugh Welchman, Adam Wyrwas</td>
</tr>
</tbody>
</table>
<p><strong>Contact:</strong></p>
<table width="583" border="0" cellspacing="0" cellpadding="7">
<col width="100" /></p>
<col width="455" />
<tbody>
<tr valign="TOP">
<td width="100"><strong>Website</strong></td>
<td width="455"><a href="http://www.facebook.com/l.php?u=http%3A%2F%2Fwww.breakthrufilms.co.uk&#038;h=LAQGrrklj&#038;s=1">http://www.breakthrufilms.co.uk</a></td>
</tr>
</tbody>
</table>
<p>BreakThru Films</p>
<p>Arkadiusz Domanus</p>
<p>+44 (0) 208 144 8506</p>
<p>arek@breakthrufilms.pl</p>
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		<title>Berlinale 2013 : CICAE ART CINEMA AWARD für &#8220;Rock the Casbah&#8221; in der Kategorie &#8220;Panorama&#8221;</title>
		<link>http://cicae.org/de/non-classe/berlinale-2013-rock-the-casbah-remporte-le-prix-art-cinema-award-de-la-cicae-dans-la-categorie-%e2%80%9epanorama</link>
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		<pubDate>Tue, 19 Feb 2013 18:11:31 +0000</pubDate>
		<dc:creator>cicae</dc:creator>
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		<description><![CDATA[The members of the 2013 CICAE independent jury awarded the film Rock the Casbah by Yariv Horowitz as best film in the Panorama section of the Berlinale on Saturday, February 16th, 2013. Members of the jury were : Francesca Bolognesi (Villa Medici, Rome), Iris Praefke (cinema Moviemento, Berlin) and Marianne Piquet (Cinéma Le Rex, Châtenay-Malabry, France). Statement of the jury: &#8220;The jury honors unanimously the [...]]]></description>
			<content:encoded><![CDATA[<p>The members of the 2013 CICAE independent jury awarded the film <strong>Rock the Casbah</strong> by <strong>Yariv Horowitz</strong> as best film in the Panorama section of the Berlinale on Saturday, February 16<sup>th</sup>, 2013.</p>
<p>Members of the jury were : Francesca Bolognesi (Villa Medici, Rome), Iris Praefke (cinema Moviemento, Berlin) and Marianne Piquet (Cinéma Le Rex, Châtenay-Malabry, France).</p>
<p>Statement of the jury:</p>
<p><em>&#8220;The jury honors unanimously the force of the mise-en-scène and the subject. The director shows great intelligence in talking about a very personal situation in the Israeli-Palestinian conflict on one side and on the other side he tells the universal story of the nonsense of war.&#8221;</em></p>
<p><strong>Synopsis</strong></p>
<p lang="de-DE">The Gaza Strip in the early summer of 1989. A company of young Israeli soldiers reports for duty in the occupied area. Continuous clashes with the Palestinian population soon claim their first fatality: one of the soldiers, Iliya, is killed when a washing machine is dropped on him from the rooftop of an apartment block. The perpetrator escapes. In order to find him, their commanding officer orders some of the soldiers to take up position on the roof for the weekend. In spite of vehement protests from the building&#8217;s Palestinian owner, who fears being considered a collaborator, Aki, Ariel, Haim and Tomer begin their vigil. A lounger is set up and they listen to rock music on their transistor radio. But when the dead soldier Iliya’s father, now a broken man, pays them a visit they realise each and every one of them will lose their innocence in that place. All the action of Yariv Horowitz’s film takes place in just a few days. His drama explores the psychological effects of the Arab-Israeli conflict on those involved. In particular the experiences of Tomer, who has only just reached adulthood, reflect the senselessness of armed action, which only ever creates yet more injustice.</p>
<p lang="de-DE">The CICAE ART CINEMA AWARDS are awarded in the major European festivals by an international jury of independent cinema programmers. The CICAE ART CINEMA AWARDS help to bring to the international Arthouse network films of high quality, for it to find its audience.</p>
<p><strong>Salesagent Rock the Casbah</strong></p>
<p>Films Boutique</p>
<p lang="de-DE"><a href="http://www.filmsboutique.com/" target="_blank">http://www.filmsboutique.com/</a></p>
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		<title>Berlinale 2013 : ART CINEMA AWARD für &#8220;Grzeli nateli dgeebi&#8221; (In Bloom) in der Kategorie &#8220;Forum&#8221;</title>
		<link>http://cicae.org/de/non-classe/berlinale-2013-grzeli-nateli-dgeebi-in-bloom-remporte-le-art-cinema-award-de-la-cicae-dans-la-categorie-%e2%80%9eforum</link>
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		<pubDate>Tue, 19 Feb 2013 15:55:57 +0000</pubDate>
		<dc:creator>cicae</dc:creator>
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		<description><![CDATA[The members of the 2013 CICAE independent jury awarded the film Grzeli nateli dgeebi (In Bloom) by Simon Groß and Nana Ekvtimishvil as best film in the Forum section of the Berlinale on Saturday, February 16th, 2013. Members of the jury were : Dirk van der Straaten (De Balie Cinema, Amsterdam, the Netherlands), Mario Fortin (Cinéma Beaubien, Montréal, Canada) and Gabor Boszormenyi (Mozinet, Budapest, Hungary) [...]]]></description>
			<content:encoded><![CDATA[<p lang="de-DE"><span style="font-family: Arial, sans-serif;">The members of the 2013 CICAE independent jury awarded the film <strong><em>Grzeli nateli dgeebi</em> (In Bloom)</strong> by <strong>Simon Groß</strong> and <strong>Nana Ekvtimishvil</strong> as best film in the Forum section of the Berlinale on Saturday, February 16th, 2013.</span></p>
<p><span style="font-family: Arial, sans-serif;">Members of the jury were : Dirk van der Straaten (<em>De Balie Cinema, </em>Amsterdam, the Netherlands), Mario Fortin (<em>Cinéma Beaubien, </em>Montréal, Canada) and Gabor Boszormenyi (<em>Mozinet,</em> Budapest, Hungary)</span></p>
<p><span style="font-family: Arial, sans-serif;">Statement of the jury: </span></p>
<p><em><span style="font-family: Arial, sans-serif;">„<span style="font-family: Arial, sans-serif;">This year&#8217;s CICAE Forum jury choose a film that&#8217;s very strong on both a cinematic and political level. It tells a universal and personal story that plays to a background full of violence. The production design is marvellous and the two young main actresses pulled us in their story and did not let us go, untill this very moment.“ </span></span></em></p>
<p><strong><span style="font-family: Arial, sans-serif;">Synopsis</span></strong></p>
<p><span style="font-family: Arial, sans-serif;"><span style="color: #000000;"><span style="font-size: small;">Tbilissi im Jahre 1992. Die Sowjetzeit ist vorüber, Georgien ist auf sich selbst gestellt, in der Provinz Abchasien herrscht Bürgerkrieg. Für Natia und Eka, die erst 14-jährigen Heldinnen von </span><span style="font-size: small;"><em>Grzeli nateli dgeebi</em></span><span style="font-size: small;">, geht die Kindheit zu Ende. Eka wächst ohne ihren Vater auf, sie rebelliert gegen die besorgte Mutter und die ältere Schwester. Bei Natia terrorisiert der cholerische, trunksüchtige Vater die Familie. Frieden finden die beiden Freundinnen aber auch draußen nicht, in der Schule, auf der Straße, in der Schlange vor der Brotausgabe. Chaos, Unsicherheit, Zukunftsangst regieren den Alltag. Ein Verehrer schenkt Natia eine Pistole mit einem einzigen Schuss Munition. Wenig später wird Natia von einem anderen Verehrer entführt. Virtuos nimmt der erste Spielfilm von Nana Ekvtimishvili und Simon Groß die verschütteten Traditionen des georgischen Kinos wieder auf, verwebt Laut und Leise, Melancholie und Lieblosigkeit, Gewaltausbrüche und Idylle, frühreife Kaltblütigkeit und kindliche Naivität zu einer wunderbar rhythmischen, aufregenden filmischen Komposition. In Georgien ist eine neue Generation von Filmemachern erwacht, und sie beginnt damit, sich der eigenen Geschichte zu erinnern.</span></span></span></p>
<p><span style="font-family: Arial, sans-serif;">The CICAE ART CINEMA AWARDS are awarded in the major European festivals by an international jury of independent cinema programmers. The CICAE ART CINEMA AWARDS help to bring to the international Arthouse network films of high quality, for it to find its audience.</span></p>
<p><span style="font-family: Arial, sans-serif;"><strong>Salesagent </strong><span style="font-family: Arial, sans-serif;">&#8220;Grzeli nateli dgeebi (In Bloom)&#8221; : </span>Memento &#8211; Artscope  <a href="http://international.memento-films.com/artscope">http://international.memento-films.com/artscope</a></span></p>
<p style="text-align: center;"><a href="http://cicae.org/wp-content/uploads/2013/02/P1040567.jpg"><img class="aligncenter  wp-image-2388" title="Berlinale 2013 : ART CINEMA AWARD for " src="http://cicae.org/wp-content/uploads/2013/02/P1040567-1024x768.jpg" alt="" width="600" height="504" /></a></p>
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		<title>CICAE Training &#8220;Art Cinema = Action + Management&#8221; 10th Anniversary</title>
		<link>http://cicae.org/de/actualites/celebrez-le-10eme-anniversaire-de-la-formation-cicae-art-cinema-action-management-en-2013</link>
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		<pubDate>Thu, 20 Dec 2012 10:27:18 +0000</pubDate>
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		<description><![CDATA[Dear All, In 2004, the CICAE built its first training program for young art house cinema exhibitors and programmers. Since then, the CICAE has with the help of more than 300 teachers trained 500+ trainees with 42 different nationalities. To celebrate the 10th anniversary of the CICAE training Art Cinema = Action + Management, the [...]]]></description>
			<content:encoded><![CDATA[<p>Dear All,</p>
<p>In 2004, the CICAE built its first training program for young art house cinema exhibitors and programmers. Since then, the CICAE has with the help of more than 300 teachers trained 500+ trainees with 42 different nationalities.</p>
<p>To celebrate the 10th anniversary of the CICAE training Art Cinema = Action + Management, the CICAE &#8211; International Confederation of Art Cinemas &#8211; invited its members, current and former trainees to participate to the contest of the best visual.</p>
<p>We have the pleasure to announce you that Francesco CLERICI won this contest with his artistic visual paying tribute to the magic of cinema.</p>
<p>We would like to thank all the the participants for their contribution.</p>
<p>We wish you happy holidays as well as a great year 2013 with good films, art and cinema lovers!</p>
<p style="text-align: center;"><a href="http://cicae.org/wp-content/uploads/2012/12/CICAE-CARTOLINA-RED-v.03-lucida.jpg"><img class="aligncenter size-medium wp-image-2364" title="CICAE-CARTOLINA-RED-v.03-lucida" src="http://cicae.org/wp-content/uploads/2012/12/CICAE-CARTOLINA-RED-v.03-lucida-300x198.jpg" alt="" width="300" height="198" /></a></p>
<p style="text-align: center;">graphic elaboration on</p>
<p>© Velasco Vitali&#8217;s drawing</p>
<p>www.velascovitali.com</p>
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		<title>&#8220;LAURENCE ANYWAYS&#8221;, &#8220;THE HAPPIEST GIRL IN THE WORLD&#8221; AND &#8220;CROSSING BOUNDARIES&#8221; NOW AVAILABLE ON CICAE&#8217;S SCREENING GROUP ON CINANDO</title>
		<link>http://cicae.org/de/actualites/laurence-anyways-the-happiest-girl-in-the-world-et-crossing-boundaries-disponibles-dans-le-screening-group-de-la-cicae-sur-cinando</link>
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		<pubDate>Wed, 07 Nov 2012 14:28:39 +0000</pubDate>
		<dc:creator>cicae</dc:creator>
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		<description><![CDATA[The CICAE is glad to announce that 3 more films are now available in streaming in its Screening Group on Cinando. LAURENCE ANYWAYS, Xavier DOLAN (Canada, France, 2012, 168 minutes) – Art Cinema Award, Hamburg Film Fest 2012 Synopsis : Synopsis : Set in the 90’s, Laurence tries to salvage his relationship with his fiancée [...]]]></description>
			<content:encoded><![CDATA[<p>The CICAE is glad to announce that 3 more films are now available in streaming in its Screening Group on Cinando.</p>
<p><strong>LAURENCE ANYWAYS, Xavier DOLAN (Canada, France, 2012, 168 minutes) – Art Cinema Award, Hamburg Film Fest 2012</strong></p>
<p><strong>Synopsis :</strong> <strong>Synopsis : </strong><em>Set in the 90’s, Laurence tries to salvage his relationship with his fiancée Fred after revealing to her his aspirations of becoming a woman. Laurence Anyways is the story of a wild and unusual love.</em></p>
<p><iframe src="http://www.youtube.com/embed/rwDzRzqFaIE?feature=player_detailpage" frameborder="0" width="640" height="360"></iframe></p>
<p><strong>The Jury&#8217;s Verdict : </strong><em>Graceful and powerful, effortlessly staged and with an astonishing intensity, young Canadian director and author Xavier Dolan succeeds in creating a colorful, musically and emotionally charged piece on the challenging topic of transsexuality. Dolan proves he is more than capable of expressing this melodramatic love story revealed through gorgeous details. </em><em>Being a man, being a woman and being human at the same time are fundamental questions reflected by Dolan’s film. Therefore this movie has the potential of reaching a young audience with usually little affinity for arthouse productions.</em></p>
<p><strong>THE HAPPIEST GIRL IN THE WORLD, Radu JUDE (Romania, Netherlands, 2008, 100 minutes) &#8211; Art Cinema Award, Berlinale Forum 2009</strong></p>
<p><strong>Synopsis :</strong> <em>This sweet, simple fascinating story highlights the daily life of a Romanian family that leaves the countryside to visit Bucarest for the day. This subtle comedy smartly unveils the economic and social contradictions Romania experiences.</em></p>
<p><iframe src="https://www.youtube.com/embed/NW5dihx3-Mk?feature=player_detailpage" frameborder="0" width="640" height="360"></iframe></p>
<p><strong>The Jury&#8217;s Verdict :</strong> <em> The film depicts a world where driving a car does not get you really far, drink orange juice does not satisfy your thirst and the only freedom you are given is in a cigarette secretely smoked. The strengh of the film lies in its ability to entertain while presenting excellent artistic qualities.</em></p>
<p><strong>CROSSING BOUNDARIES, Florian FLICKER (Austria, 2012, 90 minutes) &#8211; ART CINEMA AWARD Sarajevo 2012</strong></p>
<p><strong>Synopsis:</strong> A woman – two men: her husband wants her to flirt with the other man to distract him from finding out about the couples activities as people smugglers. The other man wants to flirt with the woman to get some evidence about the illegal things they do. They fall in love – the woman, being manipulated by both men, finally chooses the only possible way out…Love is a warm gun.</p>
<p style="text-align: center;"><em><a href="http://cicae.org/wp-content/uploads/2012/11/crossing_boundaries_affiche.jpg"><img class="aligncenter" title="crossing_boundaries_affiche" src="http://cicae.org/wp-content/uploads/2012/11/crossing_boundaries_affiche.jpg" alt="" width="214" height="317" /></a></em></p>
<p><strong>The Jury&#8217;s Verdict:</strong> <strong>: </strong><em>We chose the film that we think combined everything into a perfect orchestra: the screenplay, the cinematography, the acting and of course the directing. The film’s topic is universal and it deals with the human nature of always finding and pushing one’s limits. We believe that this film will find great audiences in the CICAE member cinemas and festivals all across Europe and all over the world.</em></p>
<p>The Screening Room on CINANDO aims at giving these awarded films another chance to get noticed by exhibitors, distributors, film festival programmers and other professionals who are directly involved in the quality film market, all of them being members of the International Confederation of Art House Cinemas. We encourage our members to offer these films an exploitation while the platform can also be strategically employed by international sellers who will find in this group a professional audience interested in the distribution of art house titles.</p>
<p><strong>More films will soon be available to our members.</strong></p>
<p><strong>More information on Cinando.com or <strong><a href="mailto:info@cicae.org">info@cicae.org</a>. If you don&#8217;t have a Cinando account, please write to us at this address <strong><a href="mailto:info@cicae.info">info@cicae.info</a></strong></strong></strong></p>
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